BAM has always welcomed difficult, experimental, and out-there work. The Greek director-choreographer Dimitris Papaioannou, who recently created a work for Tanztheater Wuppertal, brings The Great Tamer to the Opera House. It’s described as “a ravishing mess of disembodied limbs on a shape-shifting floor,” and it contains nudity—which is no biggie at BAM. —L.J.
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